I've looked Portrait d'un assassin movie (Portrait of an Assassin).
Movie Premier in 1949.
Fabius: I expected my shooting mishap to be followed by a legal mishap. Well, what do we do now? Shall we have a drink? Make love? Throw things at each other?, Fabius: I couldn't exactly strangle my motorcycle., Martha: You don't think people are going to come to see you smoke a cigarette, do you?, Fabius: I never once got on that bike, not even one night, for the last two years without thinking it would be the last time.::Martha: So you wanted to kill me because you were afraid something would happen to you?, Eric: It's not the motorcycle that's dangerous; it's the fear., Lucienne de Rinck: And a little advice: Don't try to kill me off before dessert. The cook makes a remarkable omlette soufflé.
Certificates: Sweden:15
Color Info: Black and White
Countries: France
Genres: Drama, Thriller
Languages: French
Runtimes: 100
Sound Mix: Mono
Tech Info: OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.37 : 1
Release Dates: France:25 November 1949, Sweden:8 May 1950
In movie played:
Jules Berry (actor)
Death Notes: Paris, France (heart attack)
Birth Notes: Poitiers, Vienne, Poitou-Charente, France
Other Works: Stage actor.
Birth Name: Peaufichet, Jules
Spouse: 'Josseline Gaël' (qv) (? - ?); 1 child
Death Date: 23 April 1951
Birth Date: 9 February 1883
Pierre Brasseur (actor)
Father of 'Claude Brasseur (I)' (qv), Grandfather of 'Alexandre Brasseur' (qv), His grave is situated in the Père Lachaise cemetery (Paris, France), "Le marchand d'étoiles", "L'encre noir", "Grisou", "Un ange passe", "Sainte Cécile" are some of the plays he wrote and performed on stage, Died while turning "Più bella serata della mia vita, La" directed by Ettore Scola.
Pictorials: "Jeunesse Cinéma" (France), August 1965, Iss. 92, pg. 12, "On tourne", "Cinemonde" (France), 1 September 1959, Vol. 27, Iss. 1308, pg. 27, "On en parle à l'Elysées-Club", "Cinemonde" (France), 1 September 1959, Vol. 27, Iss. 1308, pg. 27, by: Pierre Montaigne, "On en parle à l'Elysées-Club"
Death Notes: Brunico, Italy (heart attack)
Birth Notes: Paris, France
Birth Name: Espinasse, Pierre
Spouse: 'Odette Joyeux' (qv) (16 August 1935 - 23 July 1945) (divorced); 1 child
Death Date: 14 August 1972
Birth Date: 22 December 1905
Father of 'Claude Brasseur (I)' (qv), Grandfather of 'Alexandre Brasseur' (qv), His grave is situated in the Père Lachaise cemetery (Paris, France), "Le marchand d'étoiles", "L'encre noir", "Grisou", "Un ange passe", "Sainte Cécile" are some of the plays he wrote and performed on stage, Died while turning "Più bella serata della mia vita, La" directed by Ettore Scola.
Pictorials: "Jeunesse Cinéma" (France), August 1965, Iss. 92, pg. 12, "On tourne", "Cinemonde" (France), 1 September 1959, Vol. 27, Iss. 1308, pg. 27, "On en parle à l'Elysées-Club", "Cinemonde" (France), 1 September 1959, Vol. 27, Iss. 1308, pg. 27, by: Pierre Montaigne, "On en parle à l'Elysées-Club"
Death Notes: Brunico, Italy (heart attack)
Birth Notes: Paris, France
Birth Name: Espinasse, Pierre
Spouse: 'Odette Joyeux' (qv) (16 August 1935 - 23 July 1945) (divorced); 1 child
Death Date: 14 August 1972
Birth Date: 22 December 1905
Marcel Dalio (actor)
Pictorials: "Picturegoer" (UK), 28 February 1959, Vol. 37, Iss. 1243, pg. 2, "Well, it made me laugh!"
Death Notes: Paris, France
Sunday, November the 20th be the anniversary of Marcel Dalio's demise encircled by 1983. It be the bendy aware of a serendipitous enthusiasm. You know him. He was a citizen of the world. Born Israel Moshe Blauschild, in Paris, in 1900, he become a prominently sought-after opinion of yourself artist. His delightful animated facade beside its concerted affecting eye became aware across Europe. He appear in 'Jean Renoir' (qv)'s peculiar "Rules of the Game" (_La règle du jeu (1939)_ (qv)) and "Grand Illusion" (_La grande fantasy (1937)_ (qv)), arguably the extreme of all films. True to his Frenchman's heart, he married the drastically babyish, breathtaking aesthetic 'Madeleine Lebeau' (qv). He work with von Stroheim and 'Pierre Chenal' (qv). He enjoy it all. But later the Germans powdered Poland, sweep across Belgium and hard-pressed against toward Paris. He wait until the second likely mo and last of all, with the blare of artillery patently audible, with Madeleine, hurry historic its sell-by date in a lent inn to Orleans and then, in a freight discipline, to Bordeaux and finally to Portugal. In Lisbon, they bribe a off centre immigration severe and be surreptitiously given two visas all for Chile. But on arriving in Mexico City, it was discovered the visas were calibre forgery. Facing deportation, Marcel and Madeleine found themselves making reputation for ambassadorial asylum with virtually both district in the western hemisphere. Weeks passed until Canada finally issue them transient visas, and they moved out for Montreal. Meanwhile, France had fall and, in the manoeuvre of subjugate the country, the Germans had found a number of propaganda still of Dalio. A phase of poster were produced and were then display through the capital with the term 'a expected Jew' then that citizens could more in good health description any human being suspected of unrepentant Jewishness. The psychosomatic illness continual. _Entrée des artiste (1938)_ (qv), a desirable motion canvas, was ordered re-edited so that Dalio's scene could be delete and re-shot with another, non-Jewish, actor. After a moment, friends in the film industry put in order for them to arrive in Hollywood. Nearly penniless, Marcel was hastily discharge to donkey work in a line of largely forgettable films. Madeleine, a embryonic actress in her selective appropriate, was derisively stereotype in _Hold Back the Dawn (1941)_ (qv), a vehicle for 'Charles Boyer (I)' (qv) with a conspire driven with the compelling work of an émigré (Boyer) provoking exceedingly to cantankerous into the United States from Mexico. But the valid sarcasm was waiting at Warner Brothers. In imprudent 1942, 'Jack L. Warner' (qv) was driving crop of a film base on a one achievement romp, 'Everybody Comes to Rick's' but had no screenplay. What he had was a mishmash of treatment loosely based on the play and two abovementioned pictures. But he had a projected deliverance date and a commitment to his distributors to have a big peak for that event slot and paltry else. Warner Brothers started to wing it. Shooting started minus a screenplay and little plot. Principal players were cast and a administrator hired but cast call for biased role and tablet players continued, and sometime in the early spring Marcel Dalio and 'Madeleine Lebeau' (qv) were cast by, respectively, a croupier and a optimist entanglement for the mannish head. Veteran screen-writers were hired to nurture a running screenplay, sometimes deliver page of dialogue one hours of daylight, for scenes to be shot the succeeding day. No one know correctly where on earth the plot would be in motion or how the story would swivel out. No one was secure of the climax. And, of curriculum, they produced a classic, feasibly the finest, American movie. They produced a screenplay of multiple genre, comfortable with characterization, impeccably in air with the unfolding tribulation in Europe and weigh down with talent from cap to foot. Oh, and they changed the title to _Casablanca (1942)_ (qv). It is so well encoded, that abundant lines of long-memorized dialogue have passed into the slang talk. 'We'll always have Paris', 'I was misinformed', 'Here's look at you, kid', ' I am horrified! Shocked! To find that there's making a bet going on in here!', 'Louis, I cogitate this is the birth of a impressive friendship', 'Oh he's in recent times close to any other man, singular more so', 'I don't panic a parasite. I intent to a cut-rate one', 'Round up the usual suspects', and, as expected, the oft quote, apocryphal, 'Play it again, Sam'. 'Madeleine Lebeau' (qv) acting Yvonne, the jilted lover of 'Humphrey Bogart' (qv), who is see drown her sorrow at the general public fix of abode early in the film and who subsequently, to stick spinal column at Rick and in rummage of solace take up with a German officer finding only self-hatred. She is gleaming. And when 'Claude Rains' (qv) deliver the dedication spatter, 'I'm shocked! Shocked! To find that there's gambling going on in here!' the croupier, Emil, play by Marcel Dalio, approach from the roulette table and say simply, 'Your winnings, sir.' It is a appetizing moment ripe with scripted irony, one among many here film, but one made all the more so, knowing where Dalio come from and what he and his wife had endure to produce that line. Alas, they detached and detached the subsequent year, both going on to drawn out jubilant career. Dalio never remarried. Late in his work, when 'Mike Nichols (I)' (qv) was looking for a abstractedly familiar face to deliver a long and profane, near-monologue in _Catch-22 (1970)_ (qv), he turned to Dalio. Faced with a irredeemably romantic young American pilot, Dalio, as simply 'old man in whore house', in pulled straight close-up, delivers a discourse on mechanical those face with out of conquer environment, of the virtues of expedience in the face of amorality . Using his superb plastic features, very in two shakes of a lamb`s tail beginning to flop, in a voice congested of melancholy, the ancient man reassure the son that regardless of what 'grand themes' may be afoot in the world, at last, little matter but continuation.
Height: 5' 6"
Birth Notes: Paris, France
Books: Dalio. _Mes années folles._ Paris: Editions Jean-Claude Lattès,
Other Works: Author of autobiography "Mes années folles" (Editions Jean-Claude Lattès)
Birth Name: Blauschild, Israel Moshe
Spouse: 'Madeleine Lebeau' (qv) (1938 - 1942), 'Michèle Béryl' (qv) (? - ?); 1 child
Death Date: 20 November 1983
Birth Date: 17 July 1900
Eddy Debray (actor)
Birth Name: Séchez, Ernest Charles
Birth Notes: Nantes, Loire-Atlantique, France
Death Date: 14 April 1974
Death Notes: Beaumont-les-Autels, Eure-et-Loir, France
Birth Date: 19 December 1880
Marcel Dieudonné (actor)
Les Fratellini (actor)
Julien Maffre (actor)
Birth Name: Malfay, Julien Auguste Louis
Birth Notes: Orange, Vaucluse, France
Death Date: 11 November 1981
Death Notes: Paris, France
Birth Date: 12 April 1902
Jean-Pierre Mocky (actor)
As an artist he become undemanding delimited by plop of Albert de Morcerf in a variation of _Comte de Monte Cristo, Le (1955)_, high regard and hero worship follow next to his Francois in _Tête contre les murs, La (1958)_. As Director he became somebody with anarcho-pictures, dazzling doubting thomas comedys. His prefered actor in all decades be 'Michel Serrault' (qv) and 'Jean Poiret' (qv) - change direction over the tardy 80s they were his paramount star. When 'Jeanne Moreau' (qv) appear in _Miraculé, Le (1986)_, lots other leading French screen-stars followed.
Birth Notes: Nice, Alpes-Maritimes, Provence-Alpes-Côte d'Azur, France
Books: Eric Le Roy: Jean-Pierre Mocky, Edition BiFi-Durante, Paris, 2000, 255 p., "M, le Mocky", 2001, editor Denoël, Paris
Other Works: Directed the video clip "Vitrine Girl" in 2000 for the singer Dick Rivers., Jean-Pierre Mocky directed trailers for 2 of his movies : "Satan m'habite" for "Le miraculé" and a second one, untitled, for "Les saisons du plaisir"., TV commercial for 7 à Paris (1990), TV commercial for La Mondiale Assurances (1989), TV commercial for Budget (1985), TV commercial for Taillefine Gervais (1973), Jean-Pierre Mocky directed the video clip for the song "Vis-à-vis d'elle" for French singer Gérard Blanchard.TV commercial for Ballantine Beer (1970)
Birth Name: Mokiejewski, Jean-Paul Adam
Has his own movie theater "Le Brady" in Paris., Father of 'Stanislas Nordey' (qv) with 'Véronique Nordey' (qv).
Birth Date: 6 July 1929
Marc Natol (actor)
Marcel Rouzé (actor)
Death Notes: Paris, France
Birth Notes: Gouvieux, Oise, France
Death Date: 30 November 1979
Birth Date: 12 May 1901
Erich von Stroheim (actor)
Articles: "Vox" (Hungary), July 2001, Iss. 51, pg. 103, by: Dénes Orosz, "Von Sodom", "Variety" (USA), 15 May 1957, "Erich von Stroheim", "New York Times" (USA), 12 May 1957, pg. 31:1, "Von Stroheim, 71, Film Actor, Dies; Succumbs Near Paris After 6 Months' Illness--Made Last U.S. Movie 8 Years Ago", "Screen Book" (USA), July 1928, pg. 70-75, by: Grace Wilcox, "Erich von Stroheim; The Man; He Breaks Everybody's Heart, Over and Over Again, then Apologizes", "Motion Picture Classic" (USA), December 1927, pg. 23, 72, by: Dorothy Bay, "First the Artist Then the Human Being; That's Von", "Moving Picture World" (USA), 24 September 1927, pg. 225, by: Tom Waller, "Erich von Stroheim Expresses Wish to Return to Griffith", "Moving Picture World" (USA), 11 June 1927, pg. 397, "Stroheim with Universal", "Paris and Hollywood Screen Secrets" (USA), May 1927, pg. 28-30, by: Don Juan, "So This Is Hollywood", "Moving Picture World" (USA), 11 December 1926, pg. 415, "Stroheim Goes to Paramount Studio", "Moving Picture World" (USA), 21 August 1926, pg. 1, "Selected to Direct Ziegfeld Production", "Moving Picture World" (USA), 8 August 1926, pg. 661, "Von Stroheim Will Direct Constance Talmadge Picture", "Motion Picture Classic" (USA), March 1926, pg. 22-23, 68, 71, by: Don Ryan, "Von, the Don Quixote of Pictures; The Director Who Is a Martyr to His Ideals of Realism", "Moving Picture World" (USA), 21 November 1925, pg. 230, "Von Stroheim to Produce and Act in Series for Paramount", "Movie Weekly" (USA), 11 July 1925, pg. 30, "On the Set and Off [filed for citizenship papers]", "Moving Picture World" (USA), 2 December 1922, pg. 420, "Von Stroheim Will Direct for Goldwyn", "Moving Picture World" (USA), 30 September 1922, pg. 355, "A New von Stroheim", "Moving Picture World" (USA), 21 January 1922, pg. 259, "Fourteen Reels of "Foolish Wives" Allow Few Preliminary Flourishes", "Variety" (USA), 27 May 1921, pg. 34:4, "U Lets Three Drs. Go [Harry B. Harris, Jacques Jaccard, Norman Dawn] But Stroheim Works; Officials Say Lot Is Still Holding 15 Companies"
Arletty (actress)
Maria Montez (actress)
Jacques Gauthier (producer)
Hubert Vincent-Bréchignac (producer)
François Chalais (writer)
Henri Decoin (writer)
Marcel Rivet (writer)
Charles Spaak (writer)
Roger Hubert (cinematographer)
Maurice Thiriet (composer)
Bernard-Roland (director)
Germaine Artus (editor)
D'Obregon (miscellaneous crew)
Louis Leclerc (miscellaneous crew)
Lucie Lichtig (miscellaneous crew)
Paule Tanguy (miscellaneous crew)
Roland Quignon (production designer)
Orson Welles (production designer)
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